視覚刺激と聴覚的反応に関する一研究 : 図形刺激による作曲

URI http://harp.lib.hiroshima-u.ac.jp/hbg/metadata/11266
ファイル
タイトル
視覚刺激と聴覚的反応に関する一研究 : 図形刺激による作曲
別タイトル
A Study of Visual Stimuli and Auditory Responses : Musical Composition by Shape Stimuli
著者
氏名 古矢 千雪
ヨミ フルヤ チユキ
別名 Furuya Chiyuki
内容記述

This study is to examine the relation of visual stimuli (shape) and musical composition. Method Subjects. 20 students from Univ. of Music. Experimental stimuli (shape stimuli). See Fig. I. Procedure. The subjects were instructed to look at the shape stimuli, study for a few moments and compose the themes. If they felt revision was necessary, the themes were revised freely. Elements of the themes, Key and Mode, Time Signature, were to be described, Tempo or Pace, Character Directions, Dynamics and Markings, and the Performing Medium would be described, if possible. Results 1) Design A Key : C-dur (17) , E-dur (1) , G-dur (1 ), a-moll (1) Time : 4/4(16), 2/4(1), 3/4(3) Temop : Slow (8), Moderato (6), Fast (3) 2) Design B Key : C-dur (12), D-dur (1), F-dur (2), G-dur (2), g-moll (1), no-key (1) Time : 4/4(6), 2/4(1),3/4(6), 6/8(5) 12/8(1) Temop : Slow (11), Moderato (2), Fast (1) 3) Design C Key : C-dur (11), Es-dur (1), F-dur (1), a-moll (2), no-key (4), change (1) Time : 4/4(8), 2/4(2), 2/2(1), 3/4(5), 6/8(1), 3/8(1), 4/4 ? 3/4 ? 4/4(1), 5/4(1) Temop : Slow (4), Moderato (0), Fast (13) 4) Design D Key : C-dur (11), a-moll (1), c-moll (2), f-moll (1), no-key (3), change (2) Time : 4/4(12), 2/4(3), 2/2(1), 3/4(3), 6/8(1) Temop : Slow (4), Moderato (3), Fast (4) 5) The shape stimuli had various effects on the composition. Especially, there was a close relation between the lines of shapes and the shapes of the melodies.

掲載雑誌名
広島文化女子短期大学紀要
8
開始ページ
1
終了ページ
10
出版年月日
1975-05-15
出版者
広島文化女子短期大学
ISSN
09137068
NCID
AN00213869
本文言語
日本語
資料タイプ
紀要論文
著者版フラグ
出版社版
旧URI
区分
hbg