In this paper authors study the method which converts the performing practice of music in Baroque era into contemporary performance of music. Two sonatas are taken as example from the viewpoints of pianist and violinist: G. E Handel: "Sonata for Violin and Basso Continuo in D-major, Op. 1-13," and H. Eccles: "Sonata in G-minor."

この論文は国立情報学研究所の電子図書館事業により電子化されました。