C. Ph. E. バッハのフライエ・ファンタジーに関する研究 ―Ausweichung からModulationへ―

URI http://harp.lib.hiroshima-u.ac.jp/hbg/metadata/12276
File
Title
C. Ph. E. バッハのフライエ・ファンタジーに関する研究 ―Ausweichung からModulationへ―
Title Alternative
A Study on the free fantasies of C. Ph. E. Bach ―The change from Ausweichung to Modulation―
Author
氏名 末永 雅子
ヨミ スエナガ マサコ
別名 Suenaga Masako
Subject
カール・フィリップ・エマニュエル・バッハ Carl Philipp Emanuel Bach
フライエ・ファンタジー Freie Fantasi
『クラヴィーア奏法』“Versuch uber die wahre Art das Klavier zu spielen”
転調 Ausweichung,Modulation
Abstract

 Carl Philipp Emanuel Bach (1714-1788) was the most important composer in the Fantasia genre.He was a musical spokesman for the era, particularly in his music for solo keyboard. E. Bach defined liberties of time and tonality as the conditions for Freie Fantasien (“Free Fantasies”) and provides his own detailed interpretation of this in his book “Versuch uber die wahre Art das Clavier zu spielen” (first published in 1762). In this book, E. Bach uses the musical term “Ausweichung” to signify modulation, but R.Kramer noted that the term “Modulation” is only used in a new paragraph added to the second edition of Bach’s book published in 1797.
 In this study, I analyzed the Fantasias Wq.117-14 (composed in 1762 or earlier) and Wq.61-6 (composed in 1786) to elucidate the differences in the characteristics of modulation between the two compositions. It was also clarified that the change in concept from “Ausweichung” to “Modulation” is reflected in E. Bach’s Fantasia creations, whereas the nature of Fantasia that Bach intended to achieve through his Fantasia compositions remains consistent, even when the method of modulation changes from “Ausweichung” to “Modulation”.

Journal Title
広島文化学園大学学芸学部紀要
Volume
8
Spage
71
Epage
84
Published Date
2018-02-26
Publisher
広島文化学園大学学芸学部
ISSN
2185-8837
NCID
AA12532487
Language
jpn
NIIType
Departmental Bulletin Paper
Text Version
出版社版
Set
hbg