C. Ph. E. バッハのフライエ・ファンタジーに関する研究 ―Ausweichung からModulationへ―

URI http://harp.lib.hiroshima-u.ac.jp/hbg/metadata/12276
ファイル
タイトル
C. Ph. E. バッハのフライエ・ファンタジーに関する研究 ―Ausweichung からModulationへ―
別タイトル
A Study on the free fantasies of C. Ph. E. Bach ―The change from Ausweichung to Modulation―
著者
氏名 末永 雅子
ヨミ スエナガ マサコ
別名 Suenaga Masako
キーワード
カール・フィリップ・エマニュエル・バッハ Carl Philipp Emanuel Bach
フライエ・ファンタジー Freie Fantasi
『クラヴィーア奏法』“Versuch uber die wahre Art das Klavier zu spielen”
転調 Ausweichung,Modulation
抄録

 Carl Philipp Emanuel Bach (1714-1788) was the most important composer in the Fantasia genre.He was a musical spokesman for the era, particularly in his music for solo keyboard. E. Bach defined liberties of time and tonality as the conditions for Freie Fantasien (“Free Fantasies”) and provides his own detailed interpretation of this in his book “Versuch uber die wahre Art das Clavier zu spielen” (first published in 1762). In this book, E. Bach uses the musical term “Ausweichung” to signify modulation, but R.Kramer noted that the term “Modulation” is only used in a new paragraph added to the second edition of Bach’s book published in 1797.
 In this study, I analyzed the Fantasias Wq.117-14 (composed in 1762 or earlier) and Wq.61-6 (composed in 1786) to elucidate the differences in the characteristics of modulation between the two compositions. It was also clarified that the change in concept from “Ausweichung” to “Modulation” is reflected in E. Bach’s Fantasia creations, whereas the nature of Fantasia that Bach intended to achieve through his Fantasia compositions remains consistent, even when the method of modulation changes from “Ausweichung” to “Modulation”.

掲載雑誌名
広島文化学園大学学芸学部紀要
8
開始ページ
71
終了ページ
84
出版年月日
2018-02-26
出版者
広島文化学園大学学芸学部
ISSN
2185-8837
NCID
AA12532487
本文言語
日本語
資料タイプ
紀要論文
著者版フラグ
出版社版
区分
hbg